Khadija Saye

Art on the street in Notting Hill

I was strolling past the former site of Joseph on Westbourne Grove, Notting Hill when I was stopped in my tracks by some amazing artworks.  We have a good deal of art in Notting Hill on the walls of buildings but this was something new.  Large pieces in black and white were placed in the boarded up windows and they led me round the corner to discover what this was about.

In my neighbourhood we have a lot of reminders of the appaling Grenfell Tower fire and huge loss of life and you can easily see the boarded up tower block with its green Grenfell heart.  This display of art on the street is a tribute to the artist  Khadija Saye who died in this tragedy.

Art in the street Notting Hill

As the board tells us, Khadiya, also known as Ya-Haddy Sisi Saye, was just 24 when she was killed and had already achieved recognition as a hugely talented artist with great promise.  She was the youngest exhibitor at the Diaspora Pavilion at the 2017 Venice Biennale, showing her work alongside reknowned artists such as Yinka Shonibare.   This is the series which was shown at that exhibition.

I will show all of the pieces on display, which I would not normally do but the work will be taken down at the end of this week and they are all worth showing here.  They are self portraits exploring ‘the migration of the traditional Gambian spiritual practices’.   She explores her identity and heritage and mixed faith background. Her parents were both from The Gambia but were of different faiths,  her mother who sadly also died in the fire was  Christian and her father who survived them was Muslim.

You will be able to see what a great talent she was and such as tragic loss. Every life lost in Grenfell Tower was tragic and seeing her work reminded me of this.

Here are her 8 pieces collectively entitled In This Space We Breath:

Khadija Saye Khadija Saye Khadija Saye Khadija Saye Khadija Saye Khadija Saye Khadija Saye Khadija Saye Khadija Saye

Khadija Saye

Individually and collectively they are stunning.  They are brought to us by a public art project called Breath is Invisible.  They have 3 other artists’ work to show us and their urgent aim is to address issues of racism and injustice.  I look forward to their next display.

Armada Portait Queen's House

3 Queens are even better than 1 at the Queen’s House, Greenwich.

You can see Queen Elizabeth l in all her regal glory in the Armada portrait at the Queen’s House in Greenwich. It turns out  2 other versions of this iconic paintng also exist in England, one to be found at Woburn Abbey and and the other in the National Portrait Gallery.  Now, you can enjoy these 3 copies of this famous portrait as they have been brought together for the first time at the Queen’s House in their new exhibition Faces of a Queen and it’s a real treat to see them together.

3 Armada Portraits

L-R Paintings from Woburn, The Queen’s House and National Portrait Gallery

They were all painted very shortly after the Armada victory in 1588, from left to right they are: the Woburn Abbey version – largest and most complete; the Queen’s House own version which is  the clearest and pops with detail and colour; and, the National Gallery version which has been cropped at some point.  They are almost identical in that the costume and jewels are the same but there are differences for example in the Queen’s House version the ships in the left window have been updated from the original Armada ships to contemporary verssions from the 18th century when there was a major restoration of the painting.

I was intrigued how there came to be 3 almost identical paintings after we were told that they were likely to be the work of different artists.   They are so similar and yet I found it hard to believe that Queen Elizabeth would  have sat for 3  separate painters or even for 3 at once.  I posed this question to Allison Goudie, Curator at the Queen’s House, and she told me that it is now thought the paintings were all based on a single original miniature painting by one of the queen’s favourite artists, Nicholas Hilliard.  Other copies may exist but these 3 were contemporary versions making them so precious.

We see Elizabeth surrounded by symbols of power, majesty and virginity. Her hand on the globe in the Woborn and Queen’s House versions shows her growing dominance across the globe.  The seascapes show the defeat of the Spanish Armada, a victory for England and Elizabeth but also for Protestanism over Catholicism.  The crown and her costume reinforce her majesty. The profusion of pearls speak to her virginity as they are associated with this and her status as the ‘VIrgin Queen’ married to her country.

Queen Elizabeth was born in Greenwich Palace, sadly no longer in existance, as was Mary her sister as it was the main London seat of their father Henry Vlll and they spent a good deal of their youth at the palace.. He married his first and fourth queens there and his son Edward lV died there  although after his father’s death.  Elizabeth’s Council planned the Armada Campaign from the palace, so another strong connection with the paintings.

The opportunity to get really close up to 3 faces of Elizabeth was fascinating as the rest of her body is obscured by her sumptuous costume.  She is thought to be 55 at the time these were painted and I was looking for signs of the life she had lived but I guess the painters were charged with making her look younger.  Here is your chance for a close up:

Elizabeth 1 close up Elizabeth 1 close up Elizabeth 1 close up

The Armada Portraits are the focal point of the Queen’s House exhibits at the moment but there is so much more to see in their permanent collection. In addition they have the Woburn Treasures currently on display around the house.  Woburn Abbey is undergoing a major renovation project so its treasures including their Armada Portrait can go out on loan.  Many works from this significant private collection are to be found in the Queen’s House. There is a  great deal to see and through the pieces visitors can learn about the Russell family who’ve lived at Woburn and their closeness to royalty over the centuries.

Matthew Hirst, the curator at Woburn Abbey, took us through the many rooms at the Queen’s House where their treasures can now be found.  The Russell family have been great patrons and collectors of art and architecture.  This exhibition

Here are just a few of my highlights from the Woburn Treasures:

This picture of Queen Mary 1 and her husband Phillip ll of Spain has the most extraordinary legs and faces! Positioned under their royal crests the couple and their faithful dogs demonstrate the style of the time which did not always use realistic perspective.Thepainting sits well in an exhibition containging the Armada Portraits as it was Phillip who launched the ill fated seaborne invasion of England against Mary’s sister Elizabeth.

Inigo Jones appears on the walls and it is fitting that his portrait should visit the Queen’s House as he was commissioned by Anne of Denmark as architect of the house.  Inigo Jones brought the popular classical Palladian style of architecture to England and you can see his work in the Banqueting Hall in Whitehall. 

The dramatic bust of Olaudah Equiano dominates one room, a famous ex slave who became a key figure in the fight to abolish slavery.  His book documenting his experiences as a slave had a huge impact in his day and this modern bronze bust commemorates his crucial role in British history.

This portrait of Lady Jane Grey being offered the Crown, fits well with the other roayl portraits and is part of the bloody tale of the Tudor reign. Her sad tale  is one of a young girl being manipulated by powerful forces, including her own family, to put her on the throne of England.They succeeded but 9 days later Mary gathered her forces and deposed Jane. Poor Jane, just 16, was beheaded by Mary to removed any threat,  so this moment of glory was very shortlived.

 

The Queen’s House is a star of any visit so do take the time to enjoy the fabulous Tulip Stairs and Great Hall among other delights:

Tulip Stairs, Queen's House Grand Hall , Queen's House

 

To find out more about visiting these exhibtions and the Queen’s House check their website:  https://www.rmg.co.uk/queens-house.

Full disclosure: as is customary in the travel industry I was invited by the Queen’s House to their curator led preview visit.  This has not influenced my views and was not a monetary offer as entrance to the Queen’s House is free.

George IV at Queens Gallery

George IV at the Queen’s Gallery

Scandals with the royals are nothing new and the George IV exhibition at the Queen’s Gallery gives us a peek into his life showing us his good points and what made him popular and a figure of fun.  He was famous and unpopular because of his extravagant lifestyle, his womanising and drinking but his collecting habit has left us with an extraordinary legacy, some of which is on display in this exhibition. Continue reading

Cindy Sherman

Cindy Sherman at the National Portrait Gallery

Cindy Sherman’s major show at the National Portrait Gallery looks back at her long career at the peak of world photography. She is most well known for taking pictures of herself but this is not a world of selfies as she creates a wide range of personas using herself as the model, many of which are unrecognisable as the same person. This show covers her 40 year career with examples from each of her major series of work. Continue reading

Serpentine Pavilion 2019

The Serpentine Pavilion 2019

The annual opening of the Serpentine Pavilion is a real sign that we are properly into the London summer, even if the weather is not always as warm as we’d like.

Each year a new architect is chosen to bring their vision of a temporary pavilion to the site next to the original Serpentine Gallery. This competition has been going since  2000 when the first winner was Zaha Hadid and it has grown into a showcase for emerging talent from around the world. Continue reading

Leonardo da Vinci drawings

Da Vinci’s drawings grace the Queen’s Gallery

The Queen owns priceless art treasures and thanks to her ancestors’ collecting habits the Royal Collection is one of the largest and most important art collections in the world.

The Royal Collection contains the greatest collection of da VInci drawings, a group of 550 drawings that have remained together since his death in 1519 and rarely shown so they are in excellent condition.  At his death in 1519, Da VInci left all his drawings to his pupil Francesco Melzi who kept them faithfully until his own death when the sculptor Pompeo Leoni acquired them and mounted them in at least 2 albums. By 1630 one of the albums had reached England into the collection of the Earl of Arundel until around 1670 when Charles ll acquired it, perhaps as a gift from the Earl but ‘acquired’ is a little vague in the royal context! King Charles II was keen buyer and acquirer of art and his interest in these drawings was a master stroke.  In the 1900s they were removed from the album but luckily it was kept and preserved and here it is, on proud display.  Its contents remain an unbroken group as they were in 1519.

Leonardo da Vinci drawings

Continue reading

Painted Hall, Greenwich

Welcome back to the Painted Hall, Greenwich

The Painted Hall has been undergoing extensive renovation for the last 2 years so I was really looking forward to seeing this amazing place when it was unveiled.  They managed to keep the venue open to visitors during the work by offering tours on the enormous scaffolding erected to enable the painstaking cleaning and this gave visitors a once in a lifetime chance to see the ceiling really close up.  I went on one of these tours and you can read about that here. Continue reading

Modern Couples, Barbican

Modern Couples opens at London’s Barbican Gallery

It’s been a mammoth undertaking!  This was the introduction from Jane Alison, the co-curator of the Barbican’s new exhibition, Modern Couples, which explores how all the relationships featured in the exhibition have changed art and how society viewed these relationships.  This is not art  seen as it so often is through the lens of the single male genius but instead it opens up our thinking about what emerges from collaborations between couples and it makes a particular point of putting the women first in each couple (where there is a man/woman couple) making her the lead,  not the muse or supporter.   A refreshing viewpoint,  which feels very much in tune with our times. Continue reading